Up the Road from Days Cottages, in North Truro is another scene I love to paint. The view from Highhead has many points of view and perspective. Two body's of water , Cape Cod Bay and Pilgrim Lake divide, the scene.
Sunday, July 21, 2013
Friday, July 19, 2013
High Key
This mornings light was a typical high key due to humidity.
Most people consider all impressionist painting high key, due to the brightness and little contrast.
There is quite a lot of contrast on a clear sunny day. Fog and humidity make a seemingly sunny day very high key, meaning there aren't a lot of contrast.
Similar situation arises in a cloudy day. I found this morning the colors where very warm and little contrast.
Most people consider all impressionist painting high key, due to the brightness and little contrast.
There is quite a lot of contrast on a clear sunny day. Fog and humidity make a seemingly sunny day very high key, meaning there aren't a lot of contrast.
Similar situation arises in a cloudy day. I found this morning the colors where very warm and little contrast.
Wednesday, July 17, 2013
Days Cottages
Days Cottages are the beach cottages nestled at the bottom of High Head and run along 6a in Truro.
I have been painting them on and off for years.
The lupine growing in the field made me inspired to paint them once more.
I have been painting them on and off for years.
The lupine growing in the field made me inspired to paint them once more.
Thursday, July 11, 2013
The Grassy Lane
The Grassy lane in Provincetown has been painted by all of us for years.
Cars parked down the lane many years ago I'm told by longtime residence. Now grass covers the old car tracks.
The lane is really a garden with houses on it and is a tour deforce of roses; creating a fantasy land environment.
Cars parked down the lane many years ago I'm told by longtime residence. Now grass covers the old car tracks.
The lane is really a garden with houses on it and is a tour deforce of roses; creating a fantasy land environment.
Tuesday, July 9, 2013
Developing the Painting
Rooftops |
I usually return the next day at the same time in the same lighting conditions.
Nothing can replace the color and the experience you get from painting consistently from life.
I will get rid of the white spots in my studio however, and sign the painting.
I might work on a painting for two or three weeks.
I love to start the painting for me, that's where the fun is. Developing the painting takes patience and that's a bit of work.
This rooftop painting will take a couple more sessions to finish.
I like to think of developing paintings rather than finishing paintings. When the colors are true and I can't see anymore variations of color I begin to but on the smaller details.
It's interesting to see all the types of plein air paintings and methods folks have for outdoor painting.
It's a bit of a fade to see all these quickie "one shots", however it's important to have a great start of a painting then a developed crummy composition.
Monday, July 1, 2013
Painting Captain Jack's Wharf
The many grey days this past week has given us interesting light keys to paint.
Captain Jack's wharf is a great misty scene to explore for color on cloudy days.
Provincetown brings many visiting artist's to town, because of the light and beauty of the town; John Ebersberger is one of those.
I enjoy the exchange of insight John and I share. Painting with John is a chance to learn something fresh.
Captain Jack's wharf is a great misty scene to explore for color on cloudy days.
Provincetown brings many visiting artist's to town, because of the light and beauty of the town; John Ebersberger is one of those.
I enjoy the exchange of insight John and I share. Painting with John is a chance to learn something fresh.
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